The Role of Television Journalism in a Democratic Society, Panel on April 6th
A panel discussion 6:00pm Monday, April 6th, 2009 at C. Walsh Theatre
Broadcast Journalists have been praised for breaking important news stories and criticized for breaking political candidates. Is the role of television news in our democracy to present politically neutral information or to provide informed opinion?
Charles Kravitz, President of NECN, has had a distinguished career as a television news director at several stations in Boston.
Dana Rosengard is assistant professor of Broadcast Journalism in the department of Communication and Journalism at Suffolk University. Prior to his academic career, Dana was a producer for WCVB news.
Robert Rosenthal is chair of the Department of Communication and Journalism at Suffolk University. He is an international consultant specializing in strategic communication, with a core emphasis on institutions subject to government regulation. A specialist in the field of political communication, Rosenthal is a frequent guest on radio talk shows and television newscasts.
Reservations will be accepted starting March 20 at 617-720-7600.
Nat Turner: A Troublesome Property analyzes Nat Turner’s slave rebellion of 1831 and its aftermath in American memory. The film explores the many interpretations of the event, including William Styron’s controversial 1967 Pulitzer Prize winning novel The Confessions of Nat Turner and the deep racial divisions that it exposed. What is the distinction between a freedom fighter and a terrorist? The debate over the meaning of Nat Turner has been at the heart of race relations in the United States for the past 178 years.
Josh Silver is the executive director and co-founder of the nonpartisan media policy reform organization Free Press. He previously served as campaign manager for public funding of elections in Arizona and as the director of development for the cultural arm of the Smithsonian Institution in Washington. Silver publishes frequently on media, campaign finance, and other public policy issues.
This six-time Oscar-nominated 2005 docudrama chronicles how, in the mid-1950s, Edward R. Murrow and his “See It Now” producer, Fred Friendly, helped to bring an end to the tyranny of the blacklist and the House Un-American Activities Committee’s anti-Communist hearings. 
Director Michael Ritchie and executive producer/star Robert Redford explore the machinations and manipulations of media-age political campaigns in this cynical political drama. With an Oscar-winning screenplay and appearances by real-life reporters and politicians, The Candidate takes a biting look at the nature of politics.

